Top 10 Best DVD Movies October 2012

Top 10 Best DVD Movies October 2012

1. Marvel’s The Avengers 6. Battleship
2. Dark Shadows 7. The Lucky One
3. The Hunger Games 2-Disc DVD 8. Jesse Stone: Benefit of the Doubt
4. Snow White and the Huntsman 9. Monumental: America’s National Treasure
5. The Cabin In The Woods 10. Sherlock Holmes: A Game of Shadows


1. Marvel’s The Avengers

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Price: $19.96
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Blasphemy? Perhaps. But the best thing about what may be the most rousing and well-crafted superhero movie since The Dark Knight is not the boffo action scenes that culminate in a New York City-destroying finale that rivals Michael Bay’s obliteration of the Chicago skyline in Transformers: Dark of the Moon. No, the real appeal of The Avengers comes from the quiet moments among a group of decidedly unquiet humans, extra-humans, mutants, and demigods. In no particular order those are Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans), Bruce Banner/Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner), S.H.I.E.L.D. world-government commander Nick Fury (Samuel L. Jackson), and indispensable functionary Agent Coulson (Clark Gregg). That’s a superstar lineup both in and out of character, and The Avengers brilliantly integrates the cast of ensemble egos into a story that snaps and crackles–not to mention smashes, trashes, and destroys–at breakneck pace, never sacrificing visual dazzle or hard-earned story dynamics. Writer-director Joss Whedon is no slouch when it comes to being a comic geek and he handles the heavy duty reins with efficient panache. The effects are of course spectacular. They include a monstrous flying aircraft carrier that is home base to S.H.I.E.L.D. and Nick Fury’s Avenger Initiative; Tony Stark’s gleaming skyscraper in midtown Manhattan; off-world scenes of malignant evil; as well as blindingly apocalyptic fights and the above-mentioned showdown that leaves New York a virtual ruin. Yet it’s the deeply personal conversations and confrontations among the very reluctant team of Avengers that makes the movie pop. Full of humor, snappy dialogue, and little asides that include inside jokes, eye rolls, and personal grudge matches, the script makes these superhumans real beings with sincere passion or feelings of disillusionment. The conviction of the actors as they fully commit to their clever lines gives credibility to what comes off as more than simple banter, even during the more incredible moments among them (of which are many). The plot involves the appearance of Loki, disgraced villain and brother of Thor, who was also a key player in his eponymous movie. Loki has come to Earth to retrieve the Tesseract, a blue-glowing energy cube that is valuable beyond compare to forces good and evil throughout the universe. As Loki, Tom Hiddleston is supremely, yea gloriously appealing as the brilliantly wicked regal charmer who captures minds from S.H.I.E.L.D. and attempts to conquer Earth with the hideous army at his command. To say he is foiled is an understatement. His face-off with the Hulk is one of the giddiest moments in a movie filled with lightheaded mayhem, and is a perfect example of Whedon’s throwaway approach to translating the mythic mystique of the Marvel comics universe. Though at times deadly serious (as deadly serious as an outrageous superhero destructo/fight-fest movie can be, that is), The Avengers is best when it lightens up and lets the fun fly alongside the powerhouse punches. By the way, a single blink-and-you’ll-miss-it powerhouse punch is another moment that makes Hulk the most loveable underdog of a smashing green rage monster ever. That spirit of fun and pure adventure makes The Avengers the greatest kind of escapist Hollywood fantasy $250 million can buy. A blockbuster in the most literal sense.

2. Dark Shadows (DVD + Ultraviolet Digital Copy)

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Price: $14.96
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The Collinses: Every Family Has Its Demons

From the wonderfully warped imagination of Tim Burton comes the story of Barnabas Collins (Johnny Depp), a dashing aristocrat who is turned into a vampire by a jilted lover and entombed for two centuries. Emerging from his coffin into the world of 1972, he returns to his once-majestic home, only to the few dysfunctional descendants of the Collins family who remain. Determined to return his family name to its former glory, Barnabas is thwarted at every turn by his former lover – the seductive witch Angelique (Eva Green) – in this wildly imaginative” (Sam Hallenbeck, NBC-TV adventure).

3. The Hunger Games [2-Disc DVD + Ultra-Violet Digital Copy]

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Building on her performance as a take-no-prisoners teenager in Winter’s Bone, Jennifer Lawrence portrays heroine Katniss Everdeen in Gary Ross’s action-oriented adaptation of author-screenwriter Suzanne Collins’s young adult bestseller. Set in a dystopian future in which the income gap is greater than ever, 24 underprivileged youth fight to the death every year in a televised spectacle designed to entertain the rich and give the poor enough hope to quell any further unrest–but not too much, warns Panem president Snow (Donald Sutherland), because that would be “dangerous.” Hailing from the same mining town, 16-year-olds Katniss and Peeta (Josh Hutcherson, The Kids Are All Right) represent District 12 with the help of escort Effie (an unrecognizable Elizabeth Banks) and mentor Haymitch (a scene-stealing Woody Harrelson). At first they’re adversaries, but a wary partnership eventually develops, though the rules stipulate that only one contestant can win. For those who haven’t read the book, the conclusion is likely to come as a surprise. Before it arrives, Ross (Pleasantville) depicts a society in which the Haves appear to have stepped out of a Dr. Seuss book and the Have-Nots look like refugees from the WPA photographs of Walker Evans. It’s an odd mix, made odder still by frenetic fight scenes where it’s hard to tell who’s doing what to whom. Fortunately, Lawrence and Hutcherson prove a sympathetic match in this crazy, mixed-up combination of Survivor, Lost, and the collected works of George Orwell.

4. Snow White and the Huntsman (Extended Edition)

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Definitely not your average retelling of the classic Snow White fairy tale, Snow White and the Huntsman is a dark, action-fantasy film that’s based more on the Brothers Grimm fairy tale than the well-known Disney version of the story. It features intriguing concepts, impressive special effects, and some disappointingly lackluster acting. The essence of the “Snow White” story is preserved in this recounting: the queen’s beautiful daughter Snow White, who is heir to the throne, is displaced and persecuted by an evil stepmother after her mother dies. Here, the evil stepmother Ravenna possesses a disturbing power to maintain her own perpetual youth by stealing youthfulness from the hearts of the young and beautiful, but her magic mirror warns that Snow White’s innocence and purity as she comes of age will destroy Ravenna’s chance at immortality. When Snow White escapes from the castle prison, Ravenna hires a downtrodden Huntsman to bring her back so that Ravenna can steal her youth and achieve personal immortality. But Snow White runs into a dark and sinister forest where mushrooms disperse hallucinogenic spores, trees come to life, flocks of bats spring from inanimate objects, and dwarves lurk in the shadows. The roles of the seven dwarves and the Huntsman in this version of the story prove to be quite different from the original, but what remain steadfast are Snow White’s inner strength and absolute goodness, and her stepmother’s innate evilness. This film is full of fascinating imagery that’s brought to life through powerful special effects, great costuming, and captivating cinematography–the scenes in the dark forest and the fairy-filled wilderness beyond are reason enough to see it. Unfortunately, the story moves a bit slowly and the acting by Kristen Stewart (Snow White) and Chris Hemsworth (Huntsman) is rather stoical and passionless and lacks chemistry, though Charlize Theron does stand out as a particularly disturbing Ravenna.

5. The Cabin In The Woods [DVD + UltraViolet Digital Copy]

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Price: $15.00
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A rambunctious group of five college friends steal away for a weekend of debauchery in an isolated country cabin, only to be attacked by horrific supernatural creatures in a night of endless terror and bloodshed. Sound familiar? Just wait. As the teens begin to exhibit standard horror movie behavior, a group of technicians in a control room are scrutinizing, and sometimes even controlling, every move the terrified kids make! With their efforts continually thwarted by the all powerful eye in the sky, do they have any chance of escape?

6. Battleship

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Following the success of Transformers and G.I. Joe, Hasbro brings another of its beloved properties to the big screen, with explosive and cheerfully improbable results. The situation: Aliens splash down outside Hawaii, surrounding the islands with an impenetrable force field and wreaking havoc on the captive population. While the world outside watches helplessly, a skeleton crew of naval officers and civilians (led by Taylor Kitsch’s cocky washout and Rihanna’s weapons expert) must figure out a way to save the planet while being seriously outgunned. Director Peter Berg, whose previous films The Rundown and Hancock displayed a playful tweaking of genre conventions, keeps things surprisingly high and tight here, depicting military tactics and the chain of command with an honest respect, including casting actual combat veterans in pivotal supporting roles. While such a reverent approach is certainly admirable, it coexists uneasily with the inherent goofiness of the premise, particularly during the climactic scene where the heroes sit down in front of a grid and, yes, fire a missile at B7. (Note: Nobody actually gets to say “You sunk my battleship,” but Liam Neeson, in an extended cameo as an admiral, sure looks like he wants to.) However, while the narrative might be missing a few pieces, Berg’s film undeniably delivers the action-movie goods, staging a number of all-out combat scenes with verve and ingenuity. (Special kudos to whoever designed the main weapon of the aliens, a razor-toothed sphere of gears that chews up the scenery with a tangible sense of delight.) Audiences looking for coherence may need to keep on looking, but Battleship definitely sports the maximum number of bangs for the summer-movie buck. Bring on Kerplunk: The Motion Picture.

7. The Lucky One (DVD+UltraViolet)

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Price: $14.96
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As a tourism advertisement for Louisiana, where filming took place, The Lucky One makes the most of a scenic state. As an opportunity for Zac Efron (High School Musical) to prove his acting mettle, it’s less successful. On his third tour of duty in Iraq, Efron’s Sgt. Logan Thibault finds a photograph of a pretty blonde that reads “keep safe” on the back. After a series of close scrapes, he credits his survival to the memento. Upon his release, Logan retrieves his German shepherd and sets out for North Carolina (it’s never clear how he figures that out as a destination). When he finds Beth (Taylor Schilling), who runs a kennel with her grandmother (Blythe Danner), he doesn’t know how to tell her about the picture, so he takes a job working with the dogs, and befriends her son (Riley Thomas Stewart), a chess prodigy, while inspiring jealousy in her hotheaded ex-husband, Keith (Jay R. Ferguson, who looks more like a marine than Efron). The climactic storm at the end provides the opportunity for Logan to come clean and for Keith to prove he isn’t a complete loser, allowing romance to bloom between the central couple. In drawing from the novel by Nicholas Sparks, Shine‘s Scott Hicks offers a picture-postcard romance that feels too much like a Lifetime movie. Though Efron, who made a stronger impression in Me and Orson Welles, never overacts, his recessive performance renders Logan more opaque than necessary.

8. Jesse Stone: Benefit of the Doubt

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Jesse Stone’s involuntary retirement ends when the young sheriff who replaced him is blown up in the town police car. The loyal staffers who worked for Jesse have abandoned the department and Jesse must try to solve the case on his own.

It’s a big crime, and startling, coming in the film’s first moments amid some mindless chatter between two police officers. Stone isn’t one of them; as the story begins, he is in reluctant exile – “retirement” doesn’t seem like the right word for this fellow – with just his dog for company. But the crime leaves Paradise police chief-less, and the town string pullers ask Stone to put on the chief’s badge again to work the case. Stars Tom Selleck, Kathy Baker, Robert Carradine and William Devane

9. Monumental: In Search of America’s National Treasure

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Monumental is the story of America’s beginnings. Presented, produced, and starring Kirk Cameron, the 90-minute true story follows this father of six across Europe and the US as he seeks to discover America’s true “national treasure” – the people, places, and principles that made America the freest, most prosperous, and generous nation the world has ever known.

10. Sherlock Holmes: A Game of Shadows

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Price: $9.99
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Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in Sherlock Holmes: A Game of Shadows. Sherlock Holmes has always been the smartest man in the room… until now. There is a new criminal mastermind at large – Professor James Moriarty (Jared Harris) – and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Around the globe, headlines break the news: a scandal takes down an Indian cotton tycoon; a Chinese opium trader dies of an apparent overdose; bombings in Strasbourg and Vienna; the death of an American steel magnate… No one sees the connective thread between these seemingly random events – no one, that is, except the great Sherlock Holmes, who has discerned a deliberate web of death and destruction. At its center sits a singularly sinister spider: Moriarty. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his ominous plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.

Click Here for More Top Movies

Copyright David Masters 2012

 

Top 10 Best DVD Movies August 2012

Top 10 Best DVD Movies August 2012

1. Jesse Stone: Benefit of the Doubt 6. 21 Jump Street + UltraViolet Digital Copy
2. Sherlock Holmes: A Game of Shadows 7. Mirror Mirror
3. Batman Begins (Single-Disc Widescreen Edition) 8. Monumental In Search of America’s National Treasure
4. Harry Potter and the Deathly Hallows, Part 2 9. American Reunion (Unrated)
5. The Three Stooges: The Movie 10. Wrath of the Titans


1. Jesse Stone: Benefit of the Doubt

List Price: $26.99
Price: $17.86
You Save: $9.13 (34%)

Jesse Stone’s involuntary retirement ends when the young sheriff who replaced him is blown up in the town police car. The loyal staffers who worked for Jesse have abandoned the department and Jesse must try to solve the case on his own.

It’s a big crime, and startling, coming in the film’s first moments amid some mindless chatter between two police officers. Stone isn’t one of them; as the story begins, he is in reluctant exile – “retirement” doesn’t seem like the right word for this fellow – with just his dog for company. But the crime leaves Paradise police chief-less, and the town string pullers ask Stone to put on the chief’s badge again to work the case. Stars Tom Selleck, Kathy Baker, Robert Carradine and William Devane

2. Sherlock Holmes: A Game of Shadows

List Price: $28.98
Price: $9.99
You Save: $18.99 (66%)

Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in Sherlock Holmes: A Game of Shadows. Sherlock Holmes has always been the smartest man in the room… until now. There is a new criminal mastermind at large – Professor James Moriarty (Jared Harris) – and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Around the globe, headlines break the news: a scandal takes down an Indian cotton tycoon; a Chinese opium trader dies of an apparent overdose; bombings in Strasbourg and Vienna; the death of an American steel magnate… No one sees the connective thread between these seemingly random events – no one, that is, except the great Sherlock Holmes, who has discerned a deliberate web of death and destruction. At its center sits a singularly sinister spider: Moriarty. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his ominous plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.

3. Batman Begins (Single-Disc Widescreen Edition)

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Price: $5.99
You Save: $6.98 (54%)

Batman Begins discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That’s good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997’s Batman & Robin. As the title implies, Batman Beginstells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand?

Cowritten by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn’t have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most “first” superhero movies. But it’s certainly the best Bat-film since Burton’s original, and one of the best superhero movies of its time. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film’s humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson’s Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane.

4. Harry Potter and the Deathly Hallows, Part 2 (+ UltraViolet Digital Copy)

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Price: $21.73
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The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it’s worth the hype–visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry’s quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort’s soul) leads him first to a thrilling (and hilarious–love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith’s McGonagall, Jim Broadbent’s Slughorn, David Thewlis’s Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort–neither can live while the other survives–though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark–several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling’s books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it’s done so without losing its soul.

5. The Three Stooges: The Movie

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Though it’s a reboot of a classic slapstick series, The Three Stooges fits right into Peter and Bobby Farrelly’s filmography. Throughout their comedies, especially Dumb and Dumber, they’ve always championed the clueless and clumsy, and that describes this trio perfectly: Moe, Larry, and Curly (Chris Diamantopoulos, Sean Hayes, and Will Sasso, taking over from Benicio Del Toro, Sean Penn, and Jim Carrey). In the prologue or first “episode” (two more will follow), an unseen character drops three babies off at a Catholic orphanage. At first, the nuns (Jane Lynch, Jennifer Hudson, and Larry David–yes, Larry David) take delight in the spirited infants with the strange hairstyles, but 10 years later, their antics have worn thin. A well-heeled couple (Stephen Collins and Carly Craig) considers adoption, but things don’t work out, so 25 more years pass, during which they become the orphanage’s bumbling handymen, which necessitates further head-bonks, nyuk-nyuk-nyuks, and woo-woo-woos. When the threat of closure comes to the only home they’ve ever known, the boys set out to save the day. This leads them to a wealthy woman (Sofía Vergara), her lover (Craig Bierko), and her father-in-law (Collins), encounters that bring them to the attention of MTV’s Jersey Shore, which provides a solution to their dilemma. The Farrellys may have their hearts in the right place, but The Three Stooges ranks as their weakest effort to date. The cast does what they can, but the script is terminally unfunny, and the frenetic direction only drives the point home.

6. 21 Jump Street (+ UltraViolet Digital Copy)

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Price: $17.96
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When 21 Jump Street premiered on Fox in 1987, it offered a cool-kid twist on the cop drama formula. This new-era reinvention keeps the cops, but trades earnest drama for raunchy comedy. At Sagan High, Schmidt (newly scrawny Jonah Hill, fresh off an Oscar nomination for Moneyball) was a brainy guy with no game, while Jenko (ever-brawny Channing Tatum, funnier than expected) was a popular jock with bad grades. Five years later, they reconnect at police academy, where enemies become friends when they pool their resources, but after their first bust goes bad, the deputy chief (Nick Offerman) ships them off to Jump Street, where their youthful looks lead to an undercover sting operation at Sagan (apparently, no staff members recognize the former students). Due to a mix-up, Schmidt ends up with the theater kids and Jenko with the science nerds. Through a production of Peter Pan, Schmidt meets Molly (Brie Larson), who introduces him to her drug dealer boyfriend, Eric (James Franco’s deadpan brother, Dave). Now, they just need to track down Eric’s supplier to shut the whole operation down. Along the way, Schmidt discovers his inner performer and Jenko his inner geek, but these new personas threaten the case, generating several Superbad-style laughs, so it’s too bad the finale devolves into bloodshed more befitting a John Woo crime caper, though the snappy chemistry between Hill and Tatum papers over some of the holes in the script–along with a foul-mouthed Ice Cube and one rather famous original cast member.

7. Mirror Mirror

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Mirror Mirror is another traipse through the fairy tale of Snow White, this time without animation or songs. Oh, there’s a poisoned apple, and a magic mirror, and a houseful of dwarfs living in the woods, not to worry–and of course, there’s a wicked queen, embodied by Julia Roberts in witchy mode. The pure-as-driven-you-know-what heroine is played by Lily Collins, and here poor Snow is expelled as always from the magical castle and left in the forest, where she comes upon the dwarfs. Now here’s easily the best part of the movie: the seven dwarfs are boisterous highwaymen, stealing from passersby while wearing springy stilts (the spirited crew includes Danny Woodburn, from Seinfeld, and Jordan Prentice, from In Bruges). Also giving it a game try is Armie Hammer (The Social Network), as the prince who wanders into the middle of the tug-of-war between queen and princess. Hammer’s charming, and the movie has the superficial visual gloss of director Tarsem Singh’s previous efforts (including The Fall). But the breezy tone and tongue-in-cheek approach are ultimately so facile they leave you with nothing much to care about, and the Disney cartoon classic seems dark and tough-minded by comparison. Dopey, you never looked so good.

8. Monumental: In Search of America’s National Treasure

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Price: $14.99
You Save: $4.96 (25%)

Monumental is the story of America’s beginnings. Presented, produced, and starring Kirk Cameron, the 90-minute true story follows this father of six across Europe and the US as he seeks to discover America’s true “national treasure” – the people, places, and principles that made America the freest, most prosperous, and generous nation the world has ever known.

9. American Reunion (Unrated)

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Price: $17.00
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Back in 1999, the first American Pie hit on a winning formula for delivering raunch to the masses, buffering its grosser-than-gross moments with a disarmingly fresh-faced sweetness. The fourth theatrical installment in the series may have some trouble limboing under the bad-taste bar in this post-Jackass era, but the core decency remains. You’ll likely smile more than gag this time around, but that’s far from a bad thing. Set some 13 years after the original, the story finds the gang (Jason Biggs, Chris Klein, Thomas Ian Nicholas, Eddie Kaye Thomas) all grown up and stuck in various ruts. Hoping to rekindle their hormonal spark, they meet up again for their high school reunion. No pastries may be defiled this time around, but please observe a moment of silence for a once-innocent ice chest. Directors Jon Hurwitz and Hayden Schlossberg, previously the masterminds behind the increasingly gonzo Harold & Kumar series, leave their surrealist tendencies at home, instead focusing on ways to give their newly mature cast room to stretch (particularly Alyson Hannigan, who knocks her blue material out of the park) and finally figuring out a way to get Christopher Guest veterans Eugene Levy and Jennifer Coolidge to share a scene. MVP honors, however, still go to Seann William Scott, whose character’s utter refusal to grow up has now taken on a strangely honorable quality, culminating in a hysterical finale that feels like a fitting close to the saga. The times may have changed, but Stifler, bless him, remains a force of nature.

10. Wrath of the Titans

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Sam Worthington, Ralph Fiennes and Liam Neeson star once again as gods at war in “Wrath of the Titans”, under the direction of Johnathan Liebesman. A decade after his heroic defeat of the monstrous Kaken, Perseus (Worthington) the demigod son of Zeus (Neeson) is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity’s lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades (Fiennes) and Poseidon (Danny Huston). The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld. Perseus cannot ignore his true calling when Hades, along with Zeus’ godly son, Ares (Edgar Ramrez), switch loyalties and make a deal, with kronos to capture Zeus. The Titans’ strength grows stronger as Zeus’ remaining godly powers are siphoned, and hell is unleashed on earth. Enlisting the help of the warrior Queen Andromeda (Rosamund Pike), Poseidon’s demigod son, Argenor (Toby Kebbell), and fallen gob Hephaestus (Bill Nighy), Perseus bravely embarks on a treacherous quest into the underworld to rescue Zeus, overthrow the Titans and save mankind.

Click Here for More Top Movies

Copyright David Masters 2012

 

Top 10 DVD Movies for July 2012

Top 10 DVD Movies for July 2012

1. Sherlock Holmes: A Game of Shadows 6. John Carter
2. 21 Jump Street (+ UltraViolet Digital Copy) 7. Courageous
3. Wrath of the Titans 8. Mission: Impossible–Ghost Protocol
4. Mirror Mirror 9. Safe House
5. Act of Valor 10. The Vow (+ UltraViolet Digital Copy)


1. Sherlock Holmes: A Game of Shadows

List Price: $28.98
Price: $9.99
You Save: $18.99 (66%)

Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in Sherlock Holmes: A Game of Shadows. Sherlock Holmes has always been the smartest man in the room… until now. There is a new criminal mastermind at large – Professor James Moriarty (Jared Harris) – and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Around the globe, headlines break the news: a scandal takes down an Indian cotton tycoon; a Chinese opium trader dies of an apparent overdose; bombings in Strasbourg and Vienna; the death of an American steel magnate… No one sees the connective thread between these seemingly random events – no one, that is, except the great Sherlock Holmes, who has discerned a deliberate web of death and destruction. At its center sits a singularly sinister spider: Moriarty. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his ominous plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.

2. 21 Jump Street (+ UltraViolet Digital Copy)

List Price: $30.99
Price: $17.96
You Save: $13.03 (42%)

When 21 Jump Street premiered on Fox in 1987, it offered a cool-kid twist on the cop drama formula. This new-era reinvention keeps the cops, but trades earnest drama for raunchy comedy. At Sagan High, Schmidt (newly scrawny Jonah Hill, fresh off an Oscar nomination for Moneyball) was a brainy guy with no game, while Jenko (ever-brawny Channing Tatum, funnier than expected) was a popular jock with bad grades. Five years later, they reconnect at police academy, where enemies become friends when they pool their resources, but after their first bust goes bad, the deputy chief (Nick Offerman) ships them off to Jump Street, where their youthful looks lead to an undercover sting operation at Sagan (apparently, no staff members recognize the former students). Due to a mix-up, Schmidt ends up with the theater kids and Jenko with the science nerds. Through a production of Peter Pan, Schmidt meets Molly (Brie Larson), who introduces him to her drug dealer boyfriend, Eric (James Franco’s deadpan brother, Dave). Now, they just need to track down Eric’s supplier to shut the whole operation down. Along the way, Schmidt discovers his inner performer and Jenko his inner geek, but these new personas threaten the case, generating several Superbad-style laughs, so it’s too bad the finale devolves into bloodshed more befitting a John Woo crime caper, though the snappy chemistry between Hill and Tatum papers over some of the holes in the script–along with a foul-mouthed Ice Cube and one rather famous original cast member.

3. Wrath of the Titans

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Sam Worthington, Ralph Fiennes and Liam Neeson star once again as gods at war in “Wrath of the Titans”, under the direction of Johnathan Liebesman. A decade after his heroic defeat of the monstrous Kaken, Perseus (Worthington) the demigod son of Zeus (Neeson) is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity’s lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades (Fiennes) and Poseidon (Danny Huston). The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld. Perseus cannot ignore his true calling when Hades, along with Zeus’ godly son, Ares (Edgar Ramrez), switch loyalties and make a deal, with kronos to capture Zeus. The Titans’ strength grows stronger as Zeus’ remaining godly powers are siphoned, and hell is unleashed on earth. Enlisting the help of the warrior Queen Andromeda (Rosamund Pike), Poseidon’s demigod son, Argenor (Toby Kebbell), and fallen gob Hephaestus (Bill Nighy), Perseus bravely embarks on a treacherous quest into the underworld to rescue Zeus, overthrow the Titans and save mankind.

4. Mirror Mirror

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Mirror Mirror is another traipse through the fairy tale of Snow White, this time without animation or songs. Oh, there’s a poisoned apple, and a magic mirror, and a houseful of dwarfs living in the woods, not to worry–and of course, there’s a wicked queen, embodied by Julia Roberts in witchy mode. The pure-as-driven-you-know-what heroine is played by Lily Collins, and here poor Snow is expelled as always from the magical castle and left in the forest, where she comes upon the dwarfs. Now here’s easily the best part of the movie: the seven dwarfs are boisterous highwaymen, stealing from passersby while wearing springy stilts (the spirited crew includes Danny Woodburn, from Seinfeld, and Jordan Prentice, from In Bruges). Also giving it a game try is Armie Hammer (The Social Network), as the prince who wanders into the middle of the tug-of-war between queen and princess. Hammer’s charming, and the movie has the superficial visual gloss of director Tarsem Singh’s previous efforts (including The Fall). But the breezy tone and tongue-in-cheek approach are ultimately so facile they leave you with nothing much to care about, and the Disney cartoon classic seems dark and tough-minded by comparison. Dopey, you never looked so good.

5. Act of Valor

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Act of Valor aims to capture the experience of Navy SEALs as they combat the schemes of a Chechnyan jihadist who wants to send suicide bombers into American stadiums and shopping malls. Their efforts take them all over the world, from Costa Rica to Somalia to the South Pacific. For added authenticity, eight real Navy SEALs have been cast in the lead roles. In terms of tactics and equipment, Act of Valor is rigorously authentic. What marks this as fantasy is the perfection of the missions (there are no civilian casualties; every sniper takes out his target in a single head shot–there are a lot of exploding heads in this movie) and absolute moral clarity (the wild-eyed jihadist and drug cartel foot soldiers are unquestionably evil; one of the main characters carries his grandfather’s folded flag from World War II). The performances of the SEALs, though well intentioned, make you appreciate the complexities of Arnold Schwarzenegger. What’s smart about Act of Valor is that it doesn’t waste much time with setups or dialogue, but heads straight into the missions. However, much of these missions are filmed like a first-person-shooter video game, which lends a sense of immediacy but undercuts the sense of reality. Still, all in all, Act of Valor is a sincere attempt to express admiration for the men and women risking their lives in the military.

6. John Carter

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Disney’s megabudget foray into a new CGI franchise of epic sci-fi mythology arrives with a massive marketing push and an interesting pulp pedigree that will probably inspire as many fans as it will naysayers. This impressively crafted piece of escapist fantasy is based on a character and series of books by Edgar Rice Burroughs that is runner-up to his primary creation, Tarzan, and the 20-plus volumes he wrote about that iconic ape-raised jungle adventurer. Burroughs churned out books in both series concurrently for roughly his entire adult life in the first half of the 20th century. John Carter is a former Confederate Civil War captain and fortune-hunting ne’er-do-well who through a weird incident of astral projection is plopped down on the red planet, where he becomes a passionate warrior against beasts and humanoids for the security of a home world known to its inhabitants as Barsoom. John Carter presents this origin setup in a clever prologue that finds the cranky Carter on the run from frontier military authorities as well as a band of marauding Indians. Carter is played by Friday Night Lights star Taylor Kitsch with great bravado. His character undergoes radical change when confronted with something he can finally care about. It doesn’t hurt that an exotic princess of Mars is part of the prize package that comes from his battle against evil and ultimately doing the right thing. John Carter is a visual feast (especially in well-conceived 3-D) with an array of digital and motion-capture techniques that create an eye-popping world of strange creatures, astounding architectural vistas, aerial panoramas, and luminous landscapes. All the extraordinary detail is not surprising considering that Pixar superstar Andrew Stanton is at the helm (he also directed Finding Nemo and WALL-E). There’s a lot going on in the script, and it sometimes feels as though too much work was done in the editing suite to streamline a story that is often overly complicated. Barsoom is ruled by three species, all with their own political and social agendas. There are the humans whose city-state cultures are threatened by civil war and the aggression of Tharks, a race of giant green-skinned, four-armed warriors with horrific tusks and a deeply bellicose intellect. Separate from both are the mythic Therns, a cultlike sect of über-beings who seek to manipulate all of Barsoom into their own submission. Added to the mix are a variety of outrageous animal creatures both vicious and sublime that make for an extremely motley ensemble of beasties. The huge cast of characters, species, and names becomes a bit confusing to keep straight in all the rapid-fire exposition. Fortunately the movie doesn’t ever stop long enough to allow much time for thinking; there’s something new and exciting to look at in virtually every scene. Because of some fantastical leaps of physics and gravity, Carter’s Martian body possesses super strength and the ability to make single bounds over huge distances. His powers not only make him a godlike presence to the natives of Barsoom, they also provide for some dizzying feats of movie magic. The most bravura element of the conceptual design is a fleet of massive solar-powered flying machines that recall something out of H.G. Wells or a steampunk fantasy. These colorful, insectlike machines soar and float in the gold-hued Martian atmosphere with thrilling precision. Even though the multitude of beings, names, and alliances may sometimes elicit a glassy-eyed response, there’s plenty of attention-grabbing exactitude to behold in John Carter. There’s also a good chance that the fans will make it worth Disney’s while to shell out another hundred million to keep the saga going.

7. Courageous

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What is the true mark of a man? The male stars of the moving sleeper hit Courageous are all sheriff’s deputies in a small Georgia town, putting their lives on the line every day. Yet as Courageous deftly shows, the true measure of a man’s courage and heart lies in the daily choices he makes, especially as a husband and father. Courageous is a film that examines faith, commitment, and the preciousness of life. If that sounds simplistic, Courageous, made by the same filmmakers who made the Christian film Fireproof and others, is in fact mostly nuanced, sophisticated, and very well acted. Directed by Alex Kendrick, who also cowrote the screenplay with his brother Stephen, and who costars as well, Courageous blends believable action scenes and drama with just enough comedy to keep things from being ponderous. The opening sequence, in fact, is one of the best car-chase scenes in recent film memory–and the “reveal” at its conclusion will bring tears to viewers’ eyes. In fact, Courageous is a weeper of a film, but only because its message is so true and deeply felt. Each of the four deputies–played by Alex Kendrick, Ken Bevel, Kevin Downes, and Ben Davies–wrestles with choices big and small, and finds his faith tested in the darkest of times. Courageous is an excellent faith-based film suitable for teens and older (there’s a death in the film that may be disturbing to very young viewers, though it’s handled off-screen). The Blu-ray disc contains lots of extras, including a thoughtful commentary with Alex and Stephen Kendrick, a making-of featurette that’s as inspiring as the film, outtakes, and a hilarious short called “Courageous in 60 Seconds” that underscores that the filmmakers have an all-important sense of humor. Anyone seeking a quality faith-based film experience will be enormously moved by the heart of Courageous.

8. Mission: Impossible–Ghost Protocol

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The second half of the first decade of the 21st century has been kind of tough for Tom Cruise. That’s tough in a way over and above the hardship of living the legacy of one of history’s top movie stars–a job more demanding than any mere mortal could imagine. But after two fruitful collaborations with Steven Spielberg (Minority Report and War of the Worlds), his stature took a beating from the one-two hits of those wacky PR gaffes and that string of relative box-office disappointments (Lions for Lambs, Valkyrie, Knight and Day), which seemed to start with the third installment of his Mission: Impossible franchise in 2006. It’s hard to say with a straight face that taking in only $398 million worldwide is a disappointment, but it was a low for the series, which some later saw as a prelude to his potentially dimming stardom. But on the cusp of turning 50, it looks like Tom Cruise has put the licking behind him and entered a new phase of self-conception with an upcoming array of roles, starting with a more maturely controlled version of superspy Ethan Hunt in the sleek and supercharged Mission: Impossible – Ghost Protocol. The things Cruise has done right in M: I part four include toning down his youthful, arrogant preening and letting his castmates share more of the spotlight (Jeremy Renner, Paula Patton, and Simon Pegg all have some terrifically shiny moments). He also lets the unique creative vision of director Brad Bird shine through in a first live-action outing for the acclaimed helmer of Iron Giant, The Incredibles, and Ratatouille. Still looking much younger than his years (that hair! those pecs! those abs!), Cruise is playing more age-appropriately, letting a little wisdom and grace seep into his charisma so the wattage of his mere presence smolders a little deeper. It’s a nice nod to a graying generation that says you can get older and still be cool. All that is not to say he doesn’t play up his action-star chops to the max. In a mostly inconsequential narrative arc that has something to do with purloined nuclear launch codes, an important metal briefcase, satellite uplinks, and global annihilation that leaps from Moscow to Dubai to Mumbai, Cruise is as dangerously nimble as he has ever been. He dangles one-handed from the tallest building in the world, bounds off ledges, springs out of speeding vehicles, tumbles and careens up and down the levels of an automated parking garage, and generally sprints and jumps his way across the movie with only a scratch or bruise to show for it. Also on the outlandish upside is a happily stereotypical villain straight out of Connery-era Bond and as many bleeding-edge gadgets as the art department techno-geeks could dream up. A running gag is that many of these electronic fantasy tools fail at just the wrong moment, which is part of a larger wink acknowledging how utterly preposterous yet ingeniously conceived this behemoth of a movie really is. The gadgetry is not limited just to the miraculous props. Ghost Protocol employs CGI fakery of the highest order from the sub-industry of effects contractors that ratchet up the standard of computing power and software design, one-upping each successive action-adventure extravaganza. The loving detail that goes into blowing up the Kremlin or rendering a photo-realistic sandstorm erupting across the enhanced skyline of an Oz-like desert city is nothing short of miraculous. What’s more astonishing is that Tom Cruise closes the deal with a selling power that’s as new and improved as the laminates on his multi-million-dollar teeth.

9. Safe House

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The first hint that Safe House will be a notch above the typical thriller comes from the list of supporting actors: Brendan Gleeson, Vera Farmiga, Sam Shepard, Rubén Blades–that’s a smart cast. Then the movie starts quietly: Matt Weston (Ryan Reynolds) holding his girlfriend’s hand, Tobin Frost (Denzel Washington) having a drink with an old friend… then that friend gives Frost a microchip and Safe House takes off, accelerating with every scene as legendary rogue agent Frost ends up in the hands of newbie Weston, who’s just supposed to watch the safe house where prisoners are held for interrogation. But now Weston is racing across Cape Town and Johannesburg, pursued by ruthless killers, his loyalties tested and manipulated by the infinitely charming Frost. Director Daniel Espinosa skillfully orchestrates jolting action sequences and distills quieter scenes down to their mesmerizing essence. Washington and Reynolds both give their characters emotional complexity and a sense of actual thought going on behind their charismatic movie-star eyes. The plot has its clichés (legendary rogue agent, crucial microchip, CIA corruption and whatnot), but this cast and director make Safe House a genuinely gripping thriller.

10. The Vow (+ UltraViolet Digital Copy)

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Can true love really conquer all? That is the question hovering over the genuinely touching, affecting drama The Vow. Based on a true story (which itself might have made a great documentary), The Vow is a showcase for the splendid acting talent of Rachel McAdams and a breakthrough role for Channing Tatum, under the deft direction of Michael Sucsy (the feature version of Grey Gardens). The story is deceptively simple: Happy young married couple Paige (McAdams) and Leo (Tatum) are, well, happy. Then a car accident puts Paige into a life-threatening coma, and upon awakening, she finds she has lost the previous five years of memories–including of being married to, or ever in love with, her beloved Leo. With lesser actors or with a more heavy-handed director, The Vow might have been predictable, melodramatic, or flat–and yet, the talents of the two stars, and the crisp, light-handed direction, make The Vow an enjoyable, deeply affecting love story. McAdams is as winning as always, reminiscent of her early work in The Notebook, and here, as a brunette, channeling a young Jennifer Garner. But it’s Tatum on whose shoulders The Vow must succeed, and he is a revelation. His persona as a tough guy’s guy is perfect here, as a “softer” actor would have led The Vow straight into Lifetime Movie Network territory. The viewer relates to Leo, including his obvious frustration, discomfort, and even moments of terror. Sam Neill and Jessica Lange (who glowed in Sucsy’s Grey Gardens) make memorable supporting appearances. But it’s McAdams and especially Tatum who make The Vow the believable, delicate, and loving journey it is.

Click Here for More Top Movies

Copyright David Masters 2012

 

Top 10 DVD Movies for May 2012

Top 10 DVD Movies for May 2012

1. One For the Money 6. Captain America: The First Avenger
2. The Vow (+ UltraViolet Digital Copy) 7. Chronicle
3. The Grey 8. The Twilight Saga: Breaking Dawn – Part I
4. Underworld: Awakening (+ UltraViolet Digital Copy) 9. Mission: Impossible–Ghost Protocol
5. Thor 10. Iron Man 2 (Single-Disc Edition)


1. One For the Money

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A film based on the incredibly popular Stephanie Plum books by Janet Evanovich, One for the Money reveals an unexpectedly versatile Katherine Heigl. This model-turned-actress is best known for her role as Dr. Izzie Stevens on Grey’s Anatomy and for starring in various lighthearted romantic comedies, but here Heigl takes on the meaty role of Plum, a laid-off lingerie buyer who turns bondswoman in a desperate attempt to pay the rent and put food on the table. Heigl is surprisingly believable as a blue-collar working girl who thinks fast on her feet and is not afraid to throw herself into the middle of even the most dangerous situation–especially if it means getting what she wants. Of course, Stephanie’s impulsiveness manages to get her into all sorts of awkward and potentially life-threatening situations. Throw in her desire for payback against an old boyfriend, a sleazy cousin, a gang of ruthless criminals, a couple of most unexpected allies, and a quirky family who can think of little more than setting her up with a good husband, and you’ve got an enticing blend of drama, action, and comedy. Debbie Reynolds is quite funny as Grandma Mazur, Daniel Sunjata makes a great Ranger, and there’s definitely a nice chemistry between Heigl and Jason O’Mara. Bonus features include an 11-minute making-of featurette, a 10-minute look at some real-life “bond girls,” a gag reel, and one deleted scene.

2. The Vow (+ UltraViolet Digital Copy)

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Price: $17.96
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Can true love really conquer all? That is the question hovering over the genuinely touching, affecting drama The Vow. Based on a true story (which itself might have made a great documentary), The Vow is a showcase for the splendid acting talent of Rachel McAdams and a breakthrough role for Channing Tatum, under the deft direction of Michael Sucsy (the feature version of Grey Gardens). The story is deceptively simple: Happy young married couple Paige (McAdams) and Leo (Tatum) are, well, happy. Then a car accident puts Paige into a life-threatening coma, and upon awakening, she finds she has lost the previous five years of memories–including of being married to, or ever in love with, her beloved Leo. With lesser actors or with a more heavy-handed director, The Vow might have been predictable, melodramatic, or flat–and yet, the talents of the two stars, and the crisp, light-handed direction, make The Vow an enjoyable, deeply affecting love story. McAdams is as winning as always, reminiscent of her early work in The Notebook, and here, as a brunette, channeling a young Jennifer Garner. But it’s Tatum on whose shoulders The Vow must succeed, and he is a revelation. His persona as a tough guy’s guy is perfect here, as a “softer” actor would have led The Vow straight into Lifetime Movie Network territory. The viewer relates to Leo, including his obvious frustration, discomfort, and even moments of terror. Sam Neill and Jessica Lange (who glowed in Sucsy’s Grey Gardens) make memorable supporting appearances. But it’s McAdams and especially Tatum who make The Vow the believable, delicate, and loving journey it is.

3. The Grey

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The plane crashes (boy, does it crash) in the remote Alaskan nowhere, and the rough-and-tumble oil wildcatters who survive must fight their way to safety. That in itself might be enough from which The Grey could fashion a suspenseful thrill-ride, but the movie has one more ace up its sleeve. Wolves! A pack of them, starving and considerably irritated that these outsiders have blundered into their territory. And while it is true that most real-world wolves are hardly man-eaters, director Joe Carnahan and cowriter Ian Mackenzie Jeffers are really not all that interested in reality. Despite some hair-raising moments and a healthy spattering of gore, The Grey is an existential action picture, and the wolves function only as all-purpose predator (being computer-generated, they never really look real anyway). What’s really at stake are the souls of these men–how they get along together, and how they face death. Yes, there is always something faintly absurd hanging around this movie; it’s like a Jack London story adapted by Luc Besson. But out of its pulpy mash, Carnahan extracts something gutsy. It certainly helps that he’s got the mighty Liam Neeson on board as the most capable of the survivors; Neeson exudes the kind of authority that the average action hero can only play-act. Dallas Roberts and Dermot Mulroney add color, and Frank Grillo jumps off the screen as the most belligerent of the desperate crew. It’s possible for a movie to have an absurd premise yet carve something unexpectedly philosophical out of that: The Incredible Shrinking Man and Rise of the Planet of the Apes come to mind. Add this one to that oddball list.

4. Underworld: Awakening (+ UltraViolet Digital Copy)

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Ultimate Vampire Warrioress Selene (Kate Beckinsale) escapes imprisonment to find herself in a world where humans have discovered the existence of both Vampire and Lycan clans, and are conducting an all-out war to eradicate both immortal species.

5. Thor

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Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: “A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?”) Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn’t shy away from the over-the-top superheroics. When you’re dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn’t skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh’s film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers.

6. Captain America: The First Avenger

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The Marvel Comics superhero Captain America was born of World War II, so if you’re going to do the origin story in a movie you’d better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America joins Iron Man and the Incredible Hulk and other super pals? Stick around, and we’ll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans’s head attached.) The film comes up with a viable explanation for the red-white-and-blue suit ‘n’ shield–Rogers is initially trotted out as a war bonds fundraiser, in costume–and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, although the war action goes generic for a while and the climax feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn’t lie, an imitation of Werner Herzog’s accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool.

7. Chronicle

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If you should come upon a glowing, possibly extraterrestrial object buried in a hole, go ahead and touch the thing–you might just get superpowers. Or so it goes for the three high-school buds in Chronicle, an inventive excursion into the teenage sci-fi world. Once affected by the power, the guys exercise the joys of telekinesis: shuffling cars around in parking lots, moving objects in grocery stores, that kind of thing. Oh yeah–they can fly, too: and here director Josh Trank takes wing, in the movie’s giddiest sequence, as the trio zips around the clouds in a glorious wish-fulfillment. It goes without saying that there will be a shadow side to this gift, and that’s where Chronicle, for all its early cleverness, begins to stumble. Broody misfit Andrew (Dane DeHaan), destined to be voted Least Likely to Handle Superpowers Well by his graduating class, is documenting all this with his video camera, which is driving him even crazier (the movie’s in “found footage” style, so everything we see is from a camcorder or security camera, an approach that gets trippy when Andrew realizes he can levitate his camera without having to hold it). Trank and screenwriter Max Landis (son of John) seem to lose inspiration when the last act rolls around, so the movie settles for weightless battles around the Space Needle and a smattering of mass destruction. Still, let’s give Chronicle credit for an offbeat angle, and a handful of memorable scenes.

8. The Twilight Saga: Breaking Dawn – Part I (Two-Disc Special Edition)

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The Twilight Saga: Breaking Dawn, Part 1 delivers strongly for the rabid fan base who have catapulted the young adult novel series and subsequent movie adaptations to the worldwide phenomenon that it’s become, but it alienates a broader audience with a lack of any real action. Similar to the tone of Harry Potter and the Deathly Hallows: Part 1, the first film of the two-part Twilight conclusion is heavy on romance, love, and turmoil but light on fight scenes and gruesome battles. The movie doesn’t waste any time getting to the goods and opens with Bella and Edward’s much-hyped wedding scene. It works–the vows are efficient and first-time franchise director Bill Condon (Dreamgirls) moves the party along quickly and amusingly with a well-edited toast scene and some surprisingly moving moments between Bella and her father, cast standout Billy Burke. The honeymoon plays as a slightly awkward soft-focus made-for-TV movie, with a lot of long moments spent staring in the mirror and some love scenes that feel at once overly intimate and completely passionless. It’s a relief when Bella retches on a bite of chicken she’s cooked herself and quickly concludes she’s pregnant with a potentially demonic baby. From bliss to horror, the Cullens return to Forks, where Bella spends the second half of the movie wasting away and Edward and Jacob are aligned in their anger and frustration over her decision. Throw in some over-the-top scenes with Jacob and his pack–including a strange showdown where the wolves communicate in their canine form by having a passionate nonverbal fight in their minds (a plot point that works much better in print, it’s portrayed in the film via aggressive voice-over)–and the film overshoots intensity and goes straight to silly. The birth scene is horrific, but not as gruesome as in the book, and by the end, Bella has of course survived, though is much altered. The final scene features a delightfully campy Michael Sheen as Volturi leader Aro and makes it clear that the action and fun in Breaking Dawn, Part 1 is ready to start. Fans will just have to wait until Part 2 to get it.

9. Mission: Impossible–Ghost Protocol

List Price: $29.99
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The second half of the first decade of the 21st century has been kind of tough for Tom Cruise. That’s tough in a way over and above the hardship of living the legacy of one of history’s top movie stars–a job more demanding than any mere mortal could imagine. But after two fruitful collaborations with Steven Spielberg (Minority Report and War of the Worlds), his stature took a beating from the one-two hits of those wacky PR gaffes and that string of relative box-office disappointments (Lions for Lambs, Valkyrie, Knight and Day), which seemed to start with the third installment of his Mission: Impossible franchise in 2006. It’s hard to say with a straight face that taking in only $398 million worldwide is a disappointment, but it was a low for the series, which some later saw as a prelude to his potentially dimming stardom. But on the cusp of turning 50, it looks like Tom Cruise has put the licking behind him and entered a new phase of self-conception with an upcoming array of roles, starting with a more maturely controlled version of superspy Ethan Hunt in the sleek and supercharged Mission: Impossible – Ghost Protocol. The things Cruise has done right in M: I part four include toning down his youthful, arrogant preening and letting his castmates share more of the spotlight (Jeremy Renner, Paula Patton, and Simon Pegg all have some terrifically shiny moments). He also lets the unique creative vision of director Brad Bird shine through in a first live-action outing for the acclaimed helmer of Iron Giant, The Incredibles, and Ratatouille. Still looking much younger than his years (that hair! those pecs! those abs!), Cruise is playing more age-appropriately, letting a little wisdom and grace seep into his charisma so the wattage of his mere presence smolders a little deeper. It’s a nice nod to a graying generation that says you can get older and still be cool. All that is not to say he doesn’t play up his action-star chops to the max. In a mostly inconsequential narrative arc that has something to do with purloined nuclear launch codes, an important metal briefcase, satellite uplinks, and global annihilation that leaps from Moscow to Dubai to Mumbai, Cruise is as dangerously nimble as he has ever been. He dangles one-handed from the tallest building in the world, bounds off ledges, springs out of speeding vehicles, tumbles and careens up and down the levels of an automated parking garage, and generally sprints and jumps his way across the movie with only a scratch or bruise to show for it. Also on the outlandish upside is a happily stereotypical villain straight out of Connery-era Bond and as many bleeding-edge gadgets as the art department techno-geeks could dream up. A running gag is that many of these electronic fantasy tools fail at just the wrong moment, which is part of a larger wink acknowledging how utterly preposterous yet ingeniously conceived this behemoth of a movie really is. The gadgetry is not limited just to the miraculous props. Ghost Protocol employs CGI fakery of the highest order from the sub-industry of effects contractors that ratchet up the standard of computing power and software design, one-upping each successive action-adventure extravaganza. The loving detail that goes into blowing up the Kremlin or rendering a photo-realistic sandstorm erupting across the enhanced skyline of an Oz-like desert city is nothing short of miraculous. What’s more astonishing is that Tom Cruise closes the deal with a selling power that’s as new and improved as the laminates on his multi-million-dollar teeth.

10. Iron Man 2 (Single-Disc Edition)

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After the high-flying adventures of the first Iron Man picture, the billionaire arms manufacturer and irrepressible bon vivant Tony Stark (Robert Downey Jr.) finds himself nursing a hangover. But not like any hangover he’s had before: this one is toxic, a potentially deadly condition resulting from heavy metals (or something) bleeding out of the hardware he’s installed in the middle of his chest. This is the problem Stark needs to solve in Iron Man 2, not to mention the threat from resentful Russian science whiz Ivan Vanko (Mickey Rourke), whose father helped create the Iron Man technology. There’s an even bigger problem for the film: the need to set up a future Marvel Comics movie universe in which a variety of veteran characters will join forces, a requirement that slows down whatever through-line the movie can generate (although fanboys will have a good time digging the clues laid out here). Actually, the main plot is no great shakes: another Iron Man suit is deployed (Don Cheadle, replacing Terrence Howard from the first film, gets to climb inside), Stark continues to bicker with assistant Pepper Potts (Gwyneth Paltrow), and a weaselly business rival (Sam Rockwell) tries to out-do the Iron Man suit with an army of Vanko-designed drones. Mickey Rourke is a letdown, burdened by a wobbly Russian accent and looking skeptical about the genre foolishness around him, and Scarlett Johansson has to wait until the final couple of reels to unleash some butt-kickin’ skills as the future Black Widow. That climax is sufficiently lively, and the initial half-hour, including Stark’s smirky appearance before a Senate committee and a wacky showdown at the Monaco Grand Prix, provides a strong, swift opening. But the lull between these high points is crying for more action and more Downey improv.

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Copyright David Masters 2012