Top 10 DVD Movies for July 2012

Top 10 DVD Movies for July 2012

1. Sherlock Holmes: A Game of Shadows 6. John Carter
2. 21 Jump Street (+ UltraViolet Digital Copy) 7. Courageous
3. Wrath of the Titans 8. Mission: Impossible–Ghost Protocol
4. Mirror Mirror 9. Safe House
5. Act of Valor 10. The Vow (+ UltraViolet Digital Copy)


1. Sherlock Holmes: A Game of Shadows

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Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in Sherlock Holmes: A Game of Shadows. Sherlock Holmes has always been the smartest man in the room… until now. There is a new criminal mastermind at large – Professor James Moriarty (Jared Harris) – and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Around the globe, headlines break the news: a scandal takes down an Indian cotton tycoon; a Chinese opium trader dies of an apparent overdose; bombings in Strasbourg and Vienna; the death of an American steel magnate… No one sees the connective thread between these seemingly random events – no one, that is, except the great Sherlock Holmes, who has discerned a deliberate web of death and destruction. At its center sits a singularly sinister spider: Moriarty. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his ominous plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.

2. 21 Jump Street (+ UltraViolet Digital Copy)

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When 21 Jump Street premiered on Fox in 1987, it offered a cool-kid twist on the cop drama formula. This new-era reinvention keeps the cops, but trades earnest drama for raunchy comedy. At Sagan High, Schmidt (newly scrawny Jonah Hill, fresh off an Oscar nomination for Moneyball) was a brainy guy with no game, while Jenko (ever-brawny Channing Tatum, funnier than expected) was a popular jock with bad grades. Five years later, they reconnect at police academy, where enemies become friends when they pool their resources, but after their first bust goes bad, the deputy chief (Nick Offerman) ships them off to Jump Street, where their youthful looks lead to an undercover sting operation at Sagan (apparently, no staff members recognize the former students). Due to a mix-up, Schmidt ends up with the theater kids and Jenko with the science nerds. Through a production of Peter Pan, Schmidt meets Molly (Brie Larson), who introduces him to her drug dealer boyfriend, Eric (James Franco’s deadpan brother, Dave). Now, they just need to track down Eric’s supplier to shut the whole operation down. Along the way, Schmidt discovers his inner performer and Jenko his inner geek, but these new personas threaten the case, generating several Superbad-style laughs, so it’s too bad the finale devolves into bloodshed more befitting a John Woo crime caper, though the snappy chemistry between Hill and Tatum papers over some of the holes in the script–along with a foul-mouthed Ice Cube and one rather famous original cast member.

3. Wrath of the Titans

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Sam Worthington, Ralph Fiennes and Liam Neeson star once again as gods at war in “Wrath of the Titans”, under the direction of Johnathan Liebesman. A decade after his heroic defeat of the monstrous Kaken, Perseus (Worthington) the demigod son of Zeus (Neeson) is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity’s lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades (Fiennes) and Poseidon (Danny Huston). The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld. Perseus cannot ignore his true calling when Hades, along with Zeus’ godly son, Ares (Edgar Ramrez), switch loyalties and make a deal, with kronos to capture Zeus. The Titans’ strength grows stronger as Zeus’ remaining godly powers are siphoned, and hell is unleashed on earth. Enlisting the help of the warrior Queen Andromeda (Rosamund Pike), Poseidon’s demigod son, Argenor (Toby Kebbell), and fallen gob Hephaestus (Bill Nighy), Perseus bravely embarks on a treacherous quest into the underworld to rescue Zeus, overthrow the Titans and save mankind.

4. Mirror Mirror

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Mirror Mirror is another traipse through the fairy tale of Snow White, this time without animation or songs. Oh, there’s a poisoned apple, and a magic mirror, and a houseful of dwarfs living in the woods, not to worry–and of course, there’s a wicked queen, embodied by Julia Roberts in witchy mode. The pure-as-driven-you-know-what heroine is played by Lily Collins, and here poor Snow is expelled as always from the magical castle and left in the forest, where she comes upon the dwarfs. Now here’s easily the best part of the movie: the seven dwarfs are boisterous highwaymen, stealing from passersby while wearing springy stilts (the spirited crew includes Danny Woodburn, from Seinfeld, and Jordan Prentice, from In Bruges). Also giving it a game try is Armie Hammer (The Social Network), as the prince who wanders into the middle of the tug-of-war between queen and princess. Hammer’s charming, and the movie has the superficial visual gloss of director Tarsem Singh’s previous efforts (including The Fall). But the breezy tone and tongue-in-cheek approach are ultimately so facile they leave you with nothing much to care about, and the Disney cartoon classic seems dark and tough-minded by comparison. Dopey, you never looked so good.

5. Act of Valor

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Act of Valor aims to capture the experience of Navy SEALs as they combat the schemes of a Chechnyan jihadist who wants to send suicide bombers into American stadiums and shopping malls. Their efforts take them all over the world, from Costa Rica to Somalia to the South Pacific. For added authenticity, eight real Navy SEALs have been cast in the lead roles. In terms of tactics and equipment, Act of Valor is rigorously authentic. What marks this as fantasy is the perfection of the missions (there are no civilian casualties; every sniper takes out his target in a single head shot–there are a lot of exploding heads in this movie) and absolute moral clarity (the wild-eyed jihadist and drug cartel foot soldiers are unquestionably evil; one of the main characters carries his grandfather’s folded flag from World War II). The performances of the SEALs, though well intentioned, make you appreciate the complexities of Arnold Schwarzenegger. What’s smart about Act of Valor is that it doesn’t waste much time with setups or dialogue, but heads straight into the missions. However, much of these missions are filmed like a first-person-shooter video game, which lends a sense of immediacy but undercuts the sense of reality. Still, all in all, Act of Valor is a sincere attempt to express admiration for the men and women risking their lives in the military.

6. John Carter

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Disney’s megabudget foray into a new CGI franchise of epic sci-fi mythology arrives with a massive marketing push and an interesting pulp pedigree that will probably inspire as many fans as it will naysayers. This impressively crafted piece of escapist fantasy is based on a character and series of books by Edgar Rice Burroughs that is runner-up to his primary creation, Tarzan, and the 20-plus volumes he wrote about that iconic ape-raised jungle adventurer. Burroughs churned out books in both series concurrently for roughly his entire adult life in the first half of the 20th century. John Carter is a former Confederate Civil War captain and fortune-hunting ne’er-do-well who through a weird incident of astral projection is plopped down on the red planet, where he becomes a passionate warrior against beasts and humanoids for the security of a home world known to its inhabitants as Barsoom. John Carter presents this origin setup in a clever prologue that finds the cranky Carter on the run from frontier military authorities as well as a band of marauding Indians. Carter is played by Friday Night Lights star Taylor Kitsch with great bravado. His character undergoes radical change when confronted with something he can finally care about. It doesn’t hurt that an exotic princess of Mars is part of the prize package that comes from his battle against evil and ultimately doing the right thing. John Carter is a visual feast (especially in well-conceived 3-D) with an array of digital and motion-capture techniques that create an eye-popping world of strange creatures, astounding architectural vistas, aerial panoramas, and luminous landscapes. All the extraordinary detail is not surprising considering that Pixar superstar Andrew Stanton is at the helm (he also directed Finding Nemo and WALL-E). There’s a lot going on in the script, and it sometimes feels as though too much work was done in the editing suite to streamline a story that is often overly complicated. Barsoom is ruled by three species, all with their own political and social agendas. There are the humans whose city-state cultures are threatened by civil war and the aggression of Tharks, a race of giant green-skinned, four-armed warriors with horrific tusks and a deeply bellicose intellect. Separate from both are the mythic Therns, a cultlike sect of über-beings who seek to manipulate all of Barsoom into their own submission. Added to the mix are a variety of outrageous animal creatures both vicious and sublime that make for an extremely motley ensemble of beasties. The huge cast of characters, species, and names becomes a bit confusing to keep straight in all the rapid-fire exposition. Fortunately the movie doesn’t ever stop long enough to allow much time for thinking; there’s something new and exciting to look at in virtually every scene. Because of some fantastical leaps of physics and gravity, Carter’s Martian body possesses super strength and the ability to make single bounds over huge distances. His powers not only make him a godlike presence to the natives of Barsoom, they also provide for some dizzying feats of movie magic. The most bravura element of the conceptual design is a fleet of massive solar-powered flying machines that recall something out of H.G. Wells or a steampunk fantasy. These colorful, insectlike machines soar and float in the gold-hued Martian atmosphere with thrilling precision. Even though the multitude of beings, names, and alliances may sometimes elicit a glassy-eyed response, there’s plenty of attention-grabbing exactitude to behold in John Carter. There’s also a good chance that the fans will make it worth Disney’s while to shell out another hundred million to keep the saga going.

7. Courageous

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What is the true mark of a man? The male stars of the moving sleeper hit Courageous are all sheriff’s deputies in a small Georgia town, putting their lives on the line every day. Yet as Courageous deftly shows, the true measure of a man’s courage and heart lies in the daily choices he makes, especially as a husband and father. Courageous is a film that examines faith, commitment, and the preciousness of life. If that sounds simplistic, Courageous, made by the same filmmakers who made the Christian film Fireproof and others, is in fact mostly nuanced, sophisticated, and very well acted. Directed by Alex Kendrick, who also cowrote the screenplay with his brother Stephen, and who costars as well, Courageous blends believable action scenes and drama with just enough comedy to keep things from being ponderous. The opening sequence, in fact, is one of the best car-chase scenes in recent film memory–and the “reveal” at its conclusion will bring tears to viewers’ eyes. In fact, Courageous is a weeper of a film, but only because its message is so true and deeply felt. Each of the four deputies–played by Alex Kendrick, Ken Bevel, Kevin Downes, and Ben Davies–wrestles with choices big and small, and finds his faith tested in the darkest of times. Courageous is an excellent faith-based film suitable for teens and older (there’s a death in the film that may be disturbing to very young viewers, though it’s handled off-screen). The Blu-ray disc contains lots of extras, including a thoughtful commentary with Alex and Stephen Kendrick, a making-of featurette that’s as inspiring as the film, outtakes, and a hilarious short called “Courageous in 60 Seconds” that underscores that the filmmakers have an all-important sense of humor. Anyone seeking a quality faith-based film experience will be enormously moved by the heart of Courageous.

8. Mission: Impossible–Ghost Protocol

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The second half of the first decade of the 21st century has been kind of tough for Tom Cruise. That’s tough in a way over and above the hardship of living the legacy of one of history’s top movie stars–a job more demanding than any mere mortal could imagine. But after two fruitful collaborations with Steven Spielberg (Minority Report and War of the Worlds), his stature took a beating from the one-two hits of those wacky PR gaffes and that string of relative box-office disappointments (Lions for Lambs, Valkyrie, Knight and Day), which seemed to start with the third installment of his Mission: Impossible franchise in 2006. It’s hard to say with a straight face that taking in only $398 million worldwide is a disappointment, but it was a low for the series, which some later saw as a prelude to his potentially dimming stardom. But on the cusp of turning 50, it looks like Tom Cruise has put the licking behind him and entered a new phase of self-conception with an upcoming array of roles, starting with a more maturely controlled version of superspy Ethan Hunt in the sleek and supercharged Mission: Impossible – Ghost Protocol. The things Cruise has done right in M: I part four include toning down his youthful, arrogant preening and letting his castmates share more of the spotlight (Jeremy Renner, Paula Patton, and Simon Pegg all have some terrifically shiny moments). He also lets the unique creative vision of director Brad Bird shine through in a first live-action outing for the acclaimed helmer of Iron Giant, The Incredibles, and Ratatouille. Still looking much younger than his years (that hair! those pecs! those abs!), Cruise is playing more age-appropriately, letting a little wisdom and grace seep into his charisma so the wattage of his mere presence smolders a little deeper. It’s a nice nod to a graying generation that says you can get older and still be cool. All that is not to say he doesn’t play up his action-star chops to the max. In a mostly inconsequential narrative arc that has something to do with purloined nuclear launch codes, an important metal briefcase, satellite uplinks, and global annihilation that leaps from Moscow to Dubai to Mumbai, Cruise is as dangerously nimble as he has ever been. He dangles one-handed from the tallest building in the world, bounds off ledges, springs out of speeding vehicles, tumbles and careens up and down the levels of an automated parking garage, and generally sprints and jumps his way across the movie with only a scratch or bruise to show for it. Also on the outlandish upside is a happily stereotypical villain straight out of Connery-era Bond and as many bleeding-edge gadgets as the art department techno-geeks could dream up. A running gag is that many of these electronic fantasy tools fail at just the wrong moment, which is part of a larger wink acknowledging how utterly preposterous yet ingeniously conceived this behemoth of a movie really is. The gadgetry is not limited just to the miraculous props. Ghost Protocol employs CGI fakery of the highest order from the sub-industry of effects contractors that ratchet up the standard of computing power and software design, one-upping each successive action-adventure extravaganza. The loving detail that goes into blowing up the Kremlin or rendering a photo-realistic sandstorm erupting across the enhanced skyline of an Oz-like desert city is nothing short of miraculous. What’s more astonishing is that Tom Cruise closes the deal with a selling power that’s as new and improved as the laminates on his multi-million-dollar teeth.

9. Safe House

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The first hint that Safe House will be a notch above the typical thriller comes from the list of supporting actors: Brendan Gleeson, Vera Farmiga, Sam Shepard, Rubén Blades–that’s a smart cast. Then the movie starts quietly: Matt Weston (Ryan Reynolds) holding his girlfriend’s hand, Tobin Frost (Denzel Washington) having a drink with an old friend… then that friend gives Frost a microchip and Safe House takes off, accelerating with every scene as legendary rogue agent Frost ends up in the hands of newbie Weston, who’s just supposed to watch the safe house where prisoners are held for interrogation. But now Weston is racing across Cape Town and Johannesburg, pursued by ruthless killers, his loyalties tested and manipulated by the infinitely charming Frost. Director Daniel Espinosa skillfully orchestrates jolting action sequences and distills quieter scenes down to their mesmerizing essence. Washington and Reynolds both give their characters emotional complexity and a sense of actual thought going on behind their charismatic movie-star eyes. The plot has its clichés (legendary rogue agent, crucial microchip, CIA corruption and whatnot), but this cast and director make Safe House a genuinely gripping thriller.

10. The Vow (+ UltraViolet Digital Copy)

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Can true love really conquer all? That is the question hovering over the genuinely touching, affecting drama The Vow. Based on a true story (which itself might have made a great documentary), The Vow is a showcase for the splendid acting talent of Rachel McAdams and a breakthrough role for Channing Tatum, under the deft direction of Michael Sucsy (the feature version of Grey Gardens). The story is deceptively simple: Happy young married couple Paige (McAdams) and Leo (Tatum) are, well, happy. Then a car accident puts Paige into a life-threatening coma, and upon awakening, she finds she has lost the previous five years of memories–including of being married to, or ever in love with, her beloved Leo. With lesser actors or with a more heavy-handed director, The Vow might have been predictable, melodramatic, or flat–and yet, the talents of the two stars, and the crisp, light-handed direction, make The Vow an enjoyable, deeply affecting love story. McAdams is as winning as always, reminiscent of her early work in The Notebook, and here, as a brunette, channeling a young Jennifer Garner. But it’s Tatum on whose shoulders The Vow must succeed, and he is a revelation. His persona as a tough guy’s guy is perfect here, as a “softer” actor would have led The Vow straight into Lifetime Movie Network territory. The viewer relates to Leo, including his obvious frustration, discomfort, and even moments of terror. Sam Neill and Jessica Lange (who glowed in Sucsy’s Grey Gardens) make memorable supporting appearances. But it’s McAdams and especially Tatum who make The Vow the believable, delicate, and loving journey it is.

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Copyright David Masters 2012

 

Best DVD Movies 2012

Best DVD Movies 2012

1. The Twilight Saga: Breaking Dawn – Part I 6. Real Steel (2011) Hugh Jackman
2. Courageous 7. Harry Potter and the Deathly Hallows, Part 2
3. The Help 8. Midnight in Paris
4. Drive (2011) Ryan Gosling 9. Bridesmaids
5. Moneyball (2011) Brad Pitt 10. Hugo (2011) Chloe Moretz and Jude Law


1. The Twilight Saga: Breaking Dawn – Part I (Two-Disc Special Edition)

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The Twilight Saga: Breaking Dawn, Part 1 delivers strongly for the rabid fan base who have catapulted the young adult novel series and subsequent movie adaptations to the worldwide phenomenon that it’s become, but it alienates a broader audience with a lack of any real action. Similar to the tone of Harry Potter and the Deathly Hallows: Part 1, the first film of the two-part Twilight conclusion is heavy on romance, love, and turmoil but light on fight scenes and gruesome battles. The movie doesn’t waste any time getting to the goods and opens with Bella and Edward’s much-hyped wedding scene. It works–the vows are efficient and first-time franchise director Bill Condon (Dreamgirls) moves the party along quickly and amusingly with a well-edited toast scene and some surprisingly moving moments between Bella and her father, cast standout Billy Burke. The honeymoon plays as a slightly awkward soft-focus made-for-TV movie, with a lot of long moments spent staring in the mirror and some love scenes that feel at once overly intimate and completely passionless. It’s a relief when Bella retches on a bite of chicken she’s cooked herself and quickly concludes she’s pregnant with a potentially demonic baby. From bliss to horror, the Cullens return to Forks, where Bella spends the second half of the movie wasting away and Edward and Jacob are aligned in their anger and frustration over her decision. Throw in some over-the-top scenes with Jacob and his pack–including a strange showdown where the wolves communicate in their canine form by having a passionate nonverbal fight in their minds (a plot point that works much better in print, it’s portrayed in the film via aggressive voice-over)–and the film overshoots intensity and goes straight to silly. The birth scene is horrific, but not as gruesome as in the book, and by the end, Bella has of course survived, though is much altered. The final scene features a delightfully campy Michael Sheen as Volturi leader Aro and makes it clear that the action and fun in Breaking Dawn, Part 1 is ready to start. Fans will just have to wait until Part 2 to get it.

2. Courageous

Four men, one calling: To serve and protect. As law enforcement officers, they are confident and focused, standing up to the worst the streets can offer. Yet at the end of the day, they face a challenge they’re ill prepared to tackle: fatherhood. When tragedy strikes home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Sherwood Pictures, creators of Fireproof, returns with this heartfelt, action-packed story. Protecting the streets is second nature to these law enforcement officers. Raising their children in a God-honoring way? That takes courage. Starring: Alex Kendrick, Kevin Downes, Ken Bevel, Robert Amaya, Ben Davies Director: Alex Kendrick Producer: Stephen Kendrick

3. The Help

There are male viewers who will enjoy The Help, but Mississippi native Tate Taylor aims his adaptation squarely at the female readers who made Kathryn Stockett’s novel a bestseller. If the multi-character narrative revolves around race relations in the Kennedy-era South, the perspective belongs to the women. Veteran maid Aibileen (Doubt‘s Viola Davis in an Oscar-worthy performance) provides the heartfelt narration that brackets the story. A widow devastated by the death of her son, she takes pride in the 17 children she has helped to raise, but she’s hardly fulfilled. That changes when Skeeter (Easy A‘s Emma Stone) returns home after college. Unlike her peers, Skeeter wants to work, so she gets a job as a newspaper columnist. But she really longs to write about Jackson’s domestics, so she meets with Aibileen in secret–after much cajoling and the promise of anonymity. When Aibileen’s smart-mouthed friend Minny (breakout star Octavia Spencer) breaches her uptight employer’s protocol, Hilly (Bryce Dallas Howard) gives her the boot, and she ends up in the employ of local outcast Celia (Jessica Chastain, hilarious and heartbreaking), who can’t catch a break due to her dirt-poor origins. After the murder of Medgar Evers, even more maids, Minny among them, bring their stories to Skeeter, leading to a book that scandalizes the town–in a good way.

4. Drive (2011) Ryan Gosling and Christina Hendricks

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Denmark’s Nicolas Winding Refn makes an electrifying return to Hollywood filmmaking with this 1980s-style noir, right down to the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is another story. When her car breaks down, Driver recommends the auto shop where he works with Shannon (Breaking Bad‘s Bryan Cranston). The two start spending time together, but then Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn’t pay up, Irene and their son will suffer, so Driver offers to handle the wheel during a heist, a job with which he has more than a little experience, as the riveting opening sequence proves. While they plan their score with Blanche (Mad Men‘s Christina Hendricks), Shannon makes a deal with a couple of gangsters (Albert Brooks and Ron Perlman), but when the plans collide: all hell breaks loose. In adapting James Sallis’s novel, Refn builds to a bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though, Drive is every bit as gripping as Reagan-era crime dramas like To Live and Die in L.A. and Thief.

5. Moneyball

Oakland A’s general manager Billy Beane (Brad Pitt) challenges the system and defies conventional wisdom when his is forced to rebuild his small-market team on a limited budget. Despite opposition from the old guard, the media, fans and their own field manager (Philip Seymour Hoffman), Beane – with the help of a young, number-crunching, Yale-educated economist (Jonah Hill) – develops a roster of misfits…and along the way, forever changes the way the game is played.

6. Real Steel (2011) Hugh Jackman and Evangeline Lilly

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Sometime in the not-too-distant future, boxing has been outlawed and replaced by fighting matches with robots. Big robots. Hulking, rock ’em, sock ’em mechanical robots. But if those machines are cutting edge, Real Steel sticks to an old-fashioned style of storytelling, with a tale of a down-and-out fight manager (Hugh Jackman) looking for a good ‘bot to get back in the game, and get back out of debt. Hearts are further tugged by the arrival of this guy’s 11-year-old son (Dakota Goyo), who hasn’t seen his dad in many years but now needs tending. There’s something endearing about the way nobody ever pauses to remark on the fact that they are in the presence of giant remote-controlled prizefighting robots; it’s taken for granted in this cockeyed universe. Loosely inspired by a Richard Matheson-penned episode of The Twilight Zone, Shawn Levy’s film is lavishly mounted and fairly ridiculous–although in this case, the human interactions are more preposterous and formulaic than the fun robot action. Jackman plays to his roguish strengths, Evangeline Lilly (Lost) gets the perfunctory love interest role, and the villains are uncomplicatedly hissable, from Jackman’s good ol’ boy rival (Kevin Durand) to the heavily accented owners (Olga Fonda, Karl Yune) of the most fearsome of robots, the undefeated Zeus. If you can imagine Rocky restaged with a pile of spare parts, you might be the audience for Real Steel.

7. Harry Potter and the Deathly Hallows, Part 2 (+ UltraViolet Digital Copy)

The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it’s worth the hype–visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry’s quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort’s soul) leads him first to a thrilling (and hilarious–love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith’s McGonagall, Jim Broadbent’s Slughorn, David Thewlis’s Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round).

8. Midnight in Paris

This is a romantic comedy set in Paris about a family that goes there because of business, and two young people who are engaged to be married in the fall have experiences there that change their lives. It’s about a young man’s great love for a city, Paris, and the illusion people have that a life different from theirs would be much better.

10. Bridesmaids

“Gut-bustingly funny. Bridesmaids gets an A!!!” (Owen Gleiberman, Entertainment Weekly) From the producer of Superbad, Knocked Up and The 40-Year-Old Virgin comes the breakout comedy critics are calling “brazenly hysterical!” (Alynda Wheat, People) Thirty-something Annie (Kristen Wiig) has hit a rough patch but finds her life turned completely upside down when she takes on the Maid of Honor role in her best friend Lillian’s (Maya Rudolph) wedding. In way over her head but determined to succeed, Annie leads a hilarious hodgepodge of bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to the big event. Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Chris O’Dowd, Ellie Kemper, Wendi McLendon-Covey, Melissa McCarthy, Matt Lucas, Jill Clayburgh, Rebel Wilson, Michael Hitchcock, Terry Crews, Kali Hawk, Tim Heidecker, Jon Hamm Directed by: Paul Feig

10. Hugo (2011) Chloe Moretz and Jude Law

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In resourceful orphan Hugo Cabret (Asa Butterfield, an Oliver Twist-like charmer), Martin Scorsese finds the perfect vessel for his silver-screen passion: this is a movie about movies (fittingly, the 3-D effects are spectacular). After his clockmaker father (Jude Law) perishes in a museum fire, Hugo goes to live with his Uncle Claude (Ray Winstone), a drunkard who maintains the clocks at a Paris train station. When Claude disappears, Hugo carries on his work and fends for himself by stealing food from area merchants. In his free time, he attempts to repair an automaton his father rescued from the museum, while trying to evade the station inspector (Sacha Baron Cohen), a World War I veteran with no sympathy for lawbreakers. When Georges (Ben Kingsley), a toymaker, catches Hugo stealing parts for his mechanical man, he recruits him as an assistant to repay his debt. If Georges is guarded, his open-hearted ward, Isabelle (Chloë Moretz), introduces Hugo to a kindly bookseller (Christopher Lee), who directs them to a motion-picture museum, where they meet film scholar René (Boardwalk Empire‘s Michael Stuhlbarg). In helping unlock the secret of the automaton, they learn about the roots of cinema, starting with the Lumière brothers, and give a forgotten movie pioneer his due, thus illustrating the importance of film preservation, a cause to which the director has dedicated his life. If Scorsese’s adaptation of The Invention of Hugo Cabret isn’t his most autobiographical work, it just may be his most personal.

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Copyright David Masters 2012

 

Top 10 DVD Movies

 Top 10 DVD Movies 2012

1. Star Trek (Two-Disc Edition) 6. The Ides of March
2. Courageous 7. Midnight in Paris
3. The Twilight Saga: Breaking Dawn – Part I 8. Harry Potter and the Deathly Hallows, Part 2
4. Moneyball 9. Dolphin Tale
5. The Help 10. Bridesmaids


 1. Star Trek (Two-Disc Edition)

The greatest adventure of all time begins with Star Trek, the incredible story of a young crew’s maiden voyage onboard the most advanced starship ever created: the U.S.S. Enterprise. On a journey filled with action, comedy and cosmic peril, the new recruits must find a way to stop an evil being whose mission of vengeance threatens all of mankind. The fate of the galaxy rests in the hands of bitter rivals. One, James Kirk (Chris Pine), is a delinquent, thrill-seeking Iowa farm boy. The other, Spock (Zachary Quinto), was raised in a logic-based society that rejects all emotion. As fiery instinct clashes with calm reason, their unlikely but powerful partnership is the only thing capable of leading their crew through unimaginable danger, boldly going where no one has gone before.

2. Courageous

Four men, one calling: To serve and protect. As law enforcement officers, they are confident and focused, standing up to the worst the streets can offer. Yet at the end of the day, they face a challenge they’re ill prepared to tackle: fatherhood. When tragedy strikes home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Sherwood Pictures, creators of Fireproof, returns with this heartfelt, action-packed story. Protecting the streets is second nature to these law enforcement officers. Raising their children in a God-honoring way? That takes courage. Starring: Alex Kendrick, Kevin Downes, Ken Bevel, Robert Amaya, Ben Davies Director: Alex Kendrick Producer: Stephen Kendrick

3. The Twilight Saga: Breaking Dawn – Part I (Two-Disc Special Edition)

The Twilight Saga: Breaking Dawn, Part 1 delivers strongly for the rabid fan base who have catapulted the young adult novel series and subsequent movie adaptations to the worldwide phenomenon that it’s become, but it alienates a broader audience with a lack of any real action. Similar to the tone of Harry Potter and the Deathly Hallows: Part 1, the first film of the two-part Twilight conclusion is heavy on romance, love, and turmoil but light on fight scenes and gruesome battles. The movie doesn’t waste any time getting to the goods and opens with Bella and Edward’s much-hyped wedding scene. It works–the vows are efficient and first-time franchise director Bill Condon (Dreamgirls) moves the party along quickly and amusingly with a well-edited toast scene and some surprisingly moving moments between Bella and her father, cast standout Billy Burke.

4. Moneyball

Oakland A’s general manager Billy Beane (Brad Pitt) challenges the system and defies conventional wisdom when his is forced to rebuild his small-market team on a limited budget. Despite opposition from the old guard, the media, fans and their own field manager (Philip Seymour Hoffman), Beane – with the help of a young, number-crunching, Yale-educated economist (Jonah Hill) – develops a roster of misfits…and along the way, forever changes the way the game is played.

 

5. The Help

There are male viewers who will enjoy The Help, but Mississippi native Tate Taylor aims his adaptation squarely at the female readers who made Kathryn Stockett’s novel a bestseller. If the multi-character narrative revolves around race relations in the Kennedy-era South, the perspective belongs to the women. Veteran maid Aibileen (Doubt‘s Viola Davis in an Oscar-worthy performance) provides the heartfelt narration that brackets the story. A widow devastated by the death of her son, she takes pride in the 17 children she has helped to raise, but she’s hardly fulfilled. That changes when Skeeter (Easy A‘s Emma Stone) returns home after college. Unlike her peers, Skeeter wants to work, so she gets a job as a newspaper columnist. But she really longs to write about Jackson’s domestics, so she meets with Aibileen in secret–after much cajoling and the promise of anonymity. When Aibileen’s smart-mouthed friend Minny (breakout star Octavia Spencer) breaches her uptight employer’s protocol, Hilly (Bryce Dallas Howard) gives her the boot, and she ends up in the employ of local outcast Celia (Jessica Chastain, hilarious and heartbreaking), who can’t catch a break due to her dirt-poor origins. After the murder of Medgar Evers, even more maids, Minny among them, bring their stories to Skeeter, leading to a book that scandalizes the town–in a good way.

6. The Ides of March

Ambition seduces and power corrupts in a nerve-wracking thriller from Academy Award® nominated director George Clooney (Good Night, and Good Luck). Idealistic campaign worker Stephen Meyers (Ryan Gosling) has sworn to give all for Governor Mike Morris (Clooney), a wild card presidential candidate whose groundbreaking ideas could change the political landscape. However, a brutal Ohio primary threatens to test Morris’s integrity. Stephen gets trapped in the down-and-dirty battle and finds himself caught up in a scandal where the only path to survival is to play both sides. The all-star cast includes Philip Seymour Hoffman, Paul Giamatti, Marisa Tomei and Evan Rachel Wood.

7. Midnight in Paris

This is a romantic comedy set in Paris about a family that goes there because of business, and two young people who are engaged to be married in the fall have experiences there that change their lives. It’s about a young man’s great love for a city, Paris, and the illusion people have that a life different from theirs would be much better.

The movie’s on the side of gentle fantasy, and it has some literary/cinematic in-jokes that call back to the kind of goofy humor Allen created in Love and Death.The film is guilty of the slackness that Allen’s latter-day directing has sometimes shown, and the underwritten roles for McAdams and Marion Cotillard are better acted than written. But the city glows with Allen’s romantic sense of it, and Owen Wilson has just the right nice-guy melancholy to put the idea over. A worthy entry in the Cinema of the Daydream.

8. Harry Potter and the Deathly Hallows, Part 2 (+ UltraViolet Digital Copy)

The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it’s worth the hype–visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry’s quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort’s soul) leads him first to a thrilling (and hilarious–love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith’s McGonagall, Jim Broadbent’s Slughorn, David Thewlis’s Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round).

9. Dolphin Tale

Inspired by a true story, Dolphin Tale is about courage, ingenuity, and never giving up. Sawyer (Nathan Gamble) is a young boy who’s struggling with school and doesn’t have many friends other than his cousin Kyle (Austin Stowell). When Kyle, a star swimmer, joins the army to earn money for college and is called to active duty, it looks like Sawyer is destined to spend his summer alone tinkering in the garage and attending summer school. Sawyer stumbles upon a dolphin that’s been severely injured, becomes fascinated by dolphins, and is suddenly intellectually engaged like never before. In spite of his shyness, he forms a friendship with marine rescue doctor Clay (Harry Connick Jr.) and his daughter Hazel (Cozi Zuehlsdorff) and, more importantly, a special and very powerful bond with the rescued dolphin, who’s dubbed Winter. As the newly formed team struggles to save Winter’s life and ensure her continued safety, financial concerns, an accident that leaves Kyle crippled for life, and a hurricane all seem to join forces against them. In the end, it is Sawyer’s determination, coupled with a little bit of luck and a lot of ingenuity from an army doctor (Morgan Freeman) who specializes in prosthetics, that helps make each member of the team, including Kyle and Winter, whole again.

10. Bridesmaids

“Gut-bustingly funny. Bridesmaids gets an A!!!” (Owen Gleiberman, Entertainment Weekly) From the producer of Superbad, Knocked Up and The 40-Year-Old Virgin comes the breakout comedy critics are calling “brazenly hysterical!” (Alynda Wheat, People)  Thirty-something Annie (Kristen Wiig) has hit a rough patch but finds her life turned completely upside down when she takes on the Maid of Honor role in her best friend Lillian’s (Maya Rudolph) wedding. In way over her head but determined to succeed, Annie leads a hilarious hodgepodge of bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to the big event. Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Chris O’Dowd, Ellie Kemper, Wendi McLendon-Covey, Melissa McCarthy, Matt Lucas, Jill Clayburgh, Rebel Wilson, Michael Hitchcock, Terry Crews, Kali Hawk, Tim Heidecker, Jon Hamm Directed by: Paul Feig

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Copyright David Masters 2012